Barb'ed Comments

I’m Barbara Edwards and this is Barb’Ed Comments. I’m an author and I feel being a writer is about sharing. It’s my view of the world exposed. Its how I look at love, hope, relationships and problem-solving, how I feel about good and evil and all the eternal questions. I’ll show you mine…

Saturday, August 30, 2008

Interview with Kimberley Dehn

Author Kimberley Dehn is my guest, a fellow author at Wings with an August 2008 release titled Southern Exposure available at www-wings-press.com

Let’s jump right in.

Hopefully, visitors have already read your bio, so I'm not going to ask you to tell us about yourself. Instead, what do you find the most difficult about being a writer?

Organization. I tend to write my stories without a concrete roadmap in order to keep my creative juices fresh. I want to be surprised as much as my readers. If I have a good idea about how the story will begin and how it will end, I keep a loose hand when writing the middle. Some of my best plotting comes from this method. Planning out every minute detail of a story will ensure that story never sees the light of day, because I will never finish it. In my head, the story has been told and I’m ready to move on to the next idea. However, there are times, like on my current work in progress, when the plot is multi-dimensional and there are more than two characters that have a meaty part to play that I wish I could be a bit more left brained. Unfortunately, I recently took a test and discovered I’m 20% left brained and 80% right, so I have no chance of ever being organized.

What is your hero's biggest challenge?
Dean has a paternalist complex fostered by his father dying when he was fourteen, leaving him to take care of his mom and sister. He can’t do what he wants to do for himself, which is leave town for Atlanta and resume a successful architectural career, until he takes care of his town and loved ones first. The people of Potter’s Kiln bailed him out of a personal problem in his past and he will do whatever he can to repay them, even if it means he’s stuck in a backwards burg going no-where for the rest of his life. He puts everyone first before himself, and as a result, he’s miserable.

What is your heroine's biggest flaw?
She believes her family’s opinion of her and hasn’t grown past it. Kat is from a wealthy, successful food icon family and as she puts it, is the red hot chili pepper in a family of instant potatoes. Her family is business first, last and always, while Kat, at age 24, has no idea what she wants out of life and is struggling to find herself.

What prompted you to write this story?
In a world filled with fascination for heiress party girls like Paris Hilton, and runaway brides like Julia Roberts or Jennifer Wilbanks, I wanted to see what would happen when such a woman lost everything and had to face life without privilege and family support. Thus, Kat Hubbard, the heroine in Southern Exposure, was born. This story was written years before Paris spent time in jail, so I watched how she dealt with her situation with great interest. In fact, she inspired me to dust Southern Exposure off and give the world another chance to see it, so I guess I have Ms. Hilton to thank for my novel’s success.

What is your least favorite genre? Would you ever consider writing it?
Erotica. I had a hard enough time writing passionate scenes in Southern Exposure because I could envision my mother-in-law…my father…reading what I wrote.

Who has helped you the most?
Marge Smith, who writes as Elizabeth Sinclair for Harlequin. We have been friends forever, and her advice and critiques over the years has made me a better writer.

Do you have a favorite theme? Eg: love conquers all; good vs evil; How do you use it?
Struggle brings out the best in people, and the worst. I love for a main character to have everything and then lose it all. I want to see what they do to survive.

What have you learned about yourself from your writing?
To trust my instincts. I no longer work with a critique group. I tend to write outside the box of what is typically published in the categories and genre’s, so in the past critique groups, especially when my work is not fully developed, have hampered my creative flow. I will give the work to trusted critiquers who are not writers, but rather readers for feedback. I’m writing for readers after all.

Why will your reader think your book is different?
Well, it’s not your typical contemporary romance. It’s actually a relationship comedy, with Kat Hubbard as the focal point of the story. Southern Exposure is about her journey of self-discovery, her personal growth and her relationship not only with Dean the hero, but also with his daughter Stevie, and various townspeople in Potter’s Kiln. It’s funny, poignant and at times, ridiculous. I wrote it to entertain readers in dire need of a good laugh.

Excerpt/Cover
Dean veered his motorcycle left off Main to skirt Polliwog and Pine and, despite Kat's scream, jumped the train tracks onto Old Man River Road. The bite of her nails through the paper-thin denim into his thigh became a constant reminder that he was a fool to give in to Rooster. Kat was going home with him, but only until her check cleared the bank. Four days tops. He had until Thursday to somehow use her to save his town.
Kat leaned to the right to glare at him over her left shoulder. He felt his pulse leap with anticipation. They would be the longest four days in his life. He noticed her large eyes were framed with the thickest lashes he'd ever seen on a woman. Probably synthetic.
"I need to stop at my yacht."
He shook his head. "Rooster will filet my hide if you escape."
"I won't escape."
"Right, you won't. End of discussion."
"Oh, for…” She stiffened her spine and leaned forward in an attempt not to touch him. After a moment, she again turned to him. "I need decent clothing; something without racing emblems or beer advertisements. If you won’t allow me to board my yacht, at least take me to the nearest mall with a Bergdorf anchor. I have their credit card.”
“Sweetheart, the North has Bergdorf. The South has Dollar General.”

Kimberley Dehn
Southern Exposure
www.kimberley-dehn.com

Thank you so much for being my guest. Good luck with your new release.

Barbara Edwards

Coming soon from The Wild Rose Press: Ancient Awakening, a Black Rose
www.barbaraedwards.net
http://barbaraedwards.net/blog/blog.asp for Barb'Ed Comments
www.Wings-press.com for Annie's Heart, Another Love, Rachel's Rescue

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Wednesday, August 27, 2008

Why is mentoring such a scary word?

I recently put together a mentoring program for my chapter and volunteered to help with one for Novelsisterhood.com. A number of things made me wonder why the response wasn't more favorable. I think I understand.
The concept of mentoring can paint a frightening picture in a new writer’s mind. The Buddha-like figure perched high overhead, showering concepts onto the ignorant newbie springs to mind. So there is a distance involved and even a little fear. The basic taking of information without a return to the giver makes the experienced writer hesitate to be a mentor. It can make an inexperienced writer hesitate to ask a ‘dumb’ question. Never mind that everyone says no question is dumb, it feels that way.How does mentoring work? Two people exchange information. That’s right. Both benefit in a number of ways. Ask about finding an agent or editor and answers jump from every corner. A place to find a list of reputable people, names of editors taking submissions, agents looking for a new authors are some of the things I’ve learned. This benefits the more experienced writer as well as the beginner. Even beginners have information to share.So let’s change the concept to a friendlier picture. The older sister showing the younger how to put up her hair in a new fashion is a better one: a partnership rather than lecturing by the professor. Everyone benefits.

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Sunday, August 24, 2008

Guest interview with Gabriel Timar

I'm excited to introduce my guest Gabriel Timar to Barb'ed Comments.

Gabriel Timar is a Canadian with Hungarian roots. He writes novels in both languages. In English, he published the Hades Connection, Assassins’ Club, Air Mogadishu and the Novgorod diary. His Hungarian language titles, the Hősök vagy bűnösök, A Fegyverek árnyékában, and his fictionalized autobiography Menni vagy maradni earned the praises of the top Hungarian critics.
Gabriel Timar enjoys meeting readers at book-signings, visiting book clubs, speaking to local groups (at the library, community college, clubs, etc.) about his work, and may be contacted through his website at http://www.gabor-timar.com/ or by e-mail at gabriel@gabor-timar.com


Hopefully, visitors have already read your bio, so I’m not going to ask you to tell us about yourself. Instead, what do you find the most difficult about being a writer?
It is the most difficult to deal with literary agents and bookstores. They want their pound and a half of flesh and they don’t care about the blood.

What is your hero’s biggest challenge?
The hero of the NOVGOROD DIARY has to keep the heroine alive, fix the Russian elections, satisfy the CIA the KGB and the Mafia at the same time, and that is for starters. In comparison to satisfying the insatiable heroine, these are easy.

What is your heroine’s biggest flaw?
Her love of men is compounded by a burning desire of doing a perfect job as a professional. Oh, yes, she also wants to stay alive.

What prompted you to write this story?
I wanted to show the readers the true face of the twenty-first century. If I tried to do it in a serious novel, nobody would publish it. However, giving it an overdose of humor, it is a pushover.

What is your least favorite genre?
Historical adventure set between 1930 and 1975.

Would you ever consider writing it?
Most certainly! I just published one entitled AIR MOGADISHU. Some people consider it a romance, but I think it is rather an adventure.
Three of my novels about the same period were published in Hungarian to rave reviews in the major daily papers. I am working on the English versions.

Who has helped you the most?
My wife. She is a linguistics major (French and Hungarian), from the University of Budapest. She taught me the techniques of constructing a novel.

Do you have a favorite theme? Eg: love conquers all; good vs evil;
I try to remain within the boundaries of reality. Let’s face it. Good never conquers evil; at best, the contest is a draw. I aim for that point. Love rarely conquers in the long run. For a few months, yes, but in the end most people realize that love is a feeling that starts in heart, hits below belt, and ruins one’s finances.

How do you use it?
In most of my books the end shows a direction only, and I leave the solution to the readers; imagination. This way they’d never wonder about certain things: like how is Sally going to put up with Jack’s incessant smoking

What have you learned about yourself from your writing?
Although I like to be in control, in the interest of success I let my characters solve the problems. They are clever people.

Why will your reader think your book is different?
Well, if the hero dies on the first page is rather unusual, but the guy coming back to Earth to interfere is more so. The fact that he overcomes insurmountable odds, deals with some of the most unsavory people, the greatest problems in our times while making the reader laugh is different from old fashioned boy meets girl.

Thank you, Gabriel. I'm sure readers will love your new book.
Barbara

Reviews:

The Novgorod diary, a piquant, science fiction spoof of the sacred cows of the twenty-first century from Wings ePress “I am particularly pleased to have this story published,” Gabriel said. “I wanted to write a book about the society of the twenty-first century. As I am not trained in sociology, to avoid the wrath of the professionals I resorted to sci-fi and humor.

“As someone tries stealing 350 million high quality Russian souls from Hades Limited, by electing the wrong man to the Kremlin, Luce (Lucifer), the Hades Limited CEO in the netherworld sends the soul of George Pike, a Newfoundland lawyer to Earth to protect the firm's interests by fixing the Russian elections.”


“NOVGOROD DIARY is an enchanting tongue-in-cheek tale using adult humor that kept me amused and chuckling from beginning to end. It is definitely the kind of book you’d need on a dismal rainy day to brighten your mood and make you giggle,” wrote JoEllen Conger, author of the Queen of Candelore.

Excerpt
~ Novgorod Diary ~by Gabriel Timar
As far as terrestrials are concerned, I am dead. My grateful ex-wife, after collecting my life insurance and taking possession of my assets, had an elegant black, marble headstone erected for me in Mount Pearl Cemetery, near the City of St. John’s in Newfoundland. Anyway, this was the least she could have done for me.
How did my ex-wife get hold of my fortune? It was easy. As a lawyer, I always advised my clients to review their last will the moment their divorce becomes final. Yes, you guessed right; I forgot to check my last will. It did not matter anyway, because my father was well off and had no need of the money, and I had no other relatives.
The events leading to my death were quite interesting. I hate to admit it: I made a stupid mistake.
The mistake was Lynn, a girl with the most beautiful derriere I’ve ever seen on a woman. She was an air hostess, and I did not realize that in addition to yours truly she regularly entertained Randy Bertozzi, the local representative of the Mafia in St. John’s. Although Randy claimed to be monogamous, he treated Lynn and about five other air hostesses as his private property. Under the circumstances, he figured I was an intruder, and in his world, trespassers were shot.
The last things I remember about my life on Earth are the suntanned, streamlined, naked body of Lynn, the report of a gun, the bullet hole in the wood paneling, and my blood spilling on the white carpet next to the black towel. I did not see the shooter.
I slowly started slipping into oblivion. I don’t know what part of my body or intellect staged the fight for sur­vival. Was it a motor reflex, the nervous system, or perhaps an auto­matic reaction of my mind? Could it have been my immortal spirit wanting to hang on to its shell? I don’t know, and possibly nobody knows.
I was comple­tely immersed in the fight to regain my faculties, and for the time being, I was winning, stopping at the opaque brink of consciousness. It took all my strength to main­tain the status quo. I did not dare use any of my energies for thinking, because if I diverted even an infinitesimally small portion of my powers to reason­ing, I would slip into the dark hole of obli­vion from where, I was sure, there was no return.
Just as an arm-wrestler gives way when overpowered by the strength of a vastly superior opponent, I was pushed over the brink by a great surge of power, and suddenly a piercing beam of white light painfully pen­etrated my field of perception. It was mercifully short, and my marginal existence in the opaque world exploded into a kaleidoscope of pleasing colors. There was no need to fight, think, or resist. My exhausted spirit relaxed. I was curiously satisfied, even though I knew I had died.
Suddenly, my miserable existence changed again; someone started playing games with me. The sharp boundaries of the lively colors slowly faded into pastel washes, like a comforting cloak covering my field of perception. My mind broke free, and I could think again!
At this point, I realized my ex-wife, Joan, would claim my investment account in addition to the half-a-million-dollar life insurance. As I could not take any money with me wherever I was headed, I did not really care. The only thing bothering me was the thought of having to pass up a date with Helen Cooper, the singer pianist at the Starlight Club and the most beautiful--and least approachable woman I’ve ever encountered. It took me a long time to persuade her to date me. Now, I realized that I’d wasted a lot of money and energy chasing her.
Well, George, I thought, you win some and lose most. As you don’t have anything little Helen would appreciate, it doesn’t matter.
Unexpectedly, I sensed a presence of someone trying to talk to me!
There is a woman in the vicinity, I thought.
I knew I was very percep­tive when it came to the fair sex. Although my miserable body had died, my immortal spirit, my soul, was alive and well. Apparently, all my instincts had stayed with me after death. I sensed the nearness of a feminine being trying to talk to me. I don’t know if it was vocal communication or a tele­pathic link, but the message was coming in loud and clear. Honestly, it was weird. “Welcome to the Third Dimension, Mr. Pike,” she said, sounding like an air hostess welcoming the passengers on board.
“I can’t say it is a pleasure being here, Mademoiselle,” I replied, “but I appreciate the management sending a beautiful young lady to welcome me.”
I did not know what she looked like, but even if she had the face of the devil and the shape of a pumpkin, most women appreciate compliments. I figured her goodwill might shave a few thousand years off my stay in Purgatory.
“Sir, this is your moment of truth,” she continued, disregarding the compliment. “As your soul has been graded at one-hundred and sixty Bertons, you must decide who should represent your immor­tal spirit in the future. Several corporations eagerly await your call.”
“Is this the final judgment?” I asked. “Are you going to decide whether I’m going to Heaven or Hell?”
“Not really,” she replied. “You should make the decision based on the influences of a lifetime. According to the rules, the souls rated one hundred Bertons or higher should select a compatible management firm to represent them. For the lower-rated souls coming in as part of the slush, the Board automatically selects a firm having the same ideology as what the soul developed during its stay in the First Dimension. We call them the soul-slush, as they have no right of immediate selection, but later can ask for a Board of Trade review. However, highly rated souls like yours must make the choice for them­selves.”
“Are you just tormenting me? The wise people in school and church taught me to be a nice fellow, because after death, my fate would be decided according to the balance of my sins and good deeds.”
“That was the illicit advertising of some unscrupulous soul management corporation operating in the First Dimension without a proper license,” came the message from my distant lady friend. “I represent the Board of Trade, Mr. Pike. It is my responsibility to make sure that your decision is your own, made without undue pressure or interference.”
“I appreciate it. May I ask what my choices are?”
“I can give you the names of the corporations, their place on the ideological spectrum in a manner similar to terrestrial political parties in the First Dimension, and a short statement about each of them. This seems to be the most practical approach when it comes to souls from planet Earth.”
“What happens after I make my choice?”
“At first, you will be pleasantly stimulated, and sooner or later the representative of the firm you have chosen will contact you. They normally have something to offer to a soul of your caliber.”
“Shit,” I growled, “this is beginning to sound like a goddamned elect­ion!”
“Although I resent your crude terminology, Mr. Pike,” came the prompt reply, “you are right, it is just like a goddamned elec­tion.”
“Okay,” I said, amused, “let me have the list of the candidates.”
“Reading your orientation index, I doubt you would be interested in Red Star Company Limited. They are on the extreme left,” she started.
“Skip them. I don’t like the Commies’ egali­tar­ian philosophy. According to them, one must do his best to have his needs satisfied. We call them Marxists on Earth,” I remarked.
“Nirvana Corporation is left of the center. They are non-violent, re­laxed, but meditate a lot.”
“I never enjoyed meditation. I pass.”
“Near the center, a little to the right, is Heaven Inc.”
“Now you’re talking,” I said, interrupting. “Tell me more.”
“Every terrestrial shows interest in them,” she replied and continued. “We know they have perhaps the most extensive illegal advertising network on planet Earth. Very few souls understand the strict dogmatic philosophy of Heaven Inc. They demand unquestioning faith, discipline, and obedi­ence. They do not value creativity.”
“Disappointing,” I remarked. “I was always an independent spirit. As far as my faith in others is concerned...”
“Yes or no, Mr. Pike?” she asked impatiently.
“Check, but reserve the right to examine this option further at a later date,” I replied.
“Very well.” She sighed. “The next, still a centrist organization, is Hades Limited.”
“I don’t like the name. It is synonymous with Hell.”
“I’ve heard it too. However, their main characteristics are discussion, thriving on controversy, and claiming creativity the most important quality of a soul.”
“Interesting,” I said. “They just became a distinct possibil­ity. What else?”
“I doubt you would like the last major firm, Seventh Paradise Inc., on the extreme right,” she continued.
“Forget them. I assume they also demand high standards of discipline.”
“They do, and at the same time demand the display of hostility against all other soul managers.”
“No, it’s not me,” I concluded. “Anything else?”
“If you are not satisfied with these, I have a few specialist firms, subsidi­aries of the big ones. If you want one of them, I will arrange another selec­tion session with the small firms’ representative. Can you make up your mind now, sir?”
“Let me think, my dear,” I remarked. “Clearly the choice is between Hades and Heaven. If I elected Heaven Inc., Father Golding’s soul would likely accompany mine for an eternity. That would be hard to bear, as he would always force me think big, clean thoughts, talk about church, donations, and no booze. Hades Limited cannot possibly be so bad. Therefore, my dear, they are going to be stuck with me.”
“So, if I understand you correctly, your pick is Hades Limited?” she asked.
“I’m afraid it is.” I sighed.
“Thank you, Mr. Pike.”

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Wednesday, August 20, 2008

Keeping up

It’d not easy to write a blog. I’m a writer. It should be easy, but like writing a novel it takes persistence and patience. I might be persistent (another word for stubborn), but I have little patience. I want everything done right now!
So how do I keep my blog current? Good question. Last week my computer gave a twitch, curled up into a fetal position and stated gasping. I forgot about blogging while doing CPR, but it finally gave up and died. I had to shop for a new machine, get my files transfered, and (most dreaded of all) learn how to use a new format. To give a hint--it took me three years to lear windows 98, two years to learn XP, and I expect vista to be another long leaning curve.
I'm finally back on track.
I like to think my words are gold and a wide audience is waiting breathlessly to pluck up every one. Sigh. I am not delusional. It takes a long time to find interested readers. I like to talk about writing. A blog is one way to interest people in the way I write. Hopefully, they’ll go on to buy my books and tell others to read them, too.

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Friday, August 8, 2008

The writer’s curse is a sagging middle

Not your stomach. It’s the middle of your manuscript dragging into oblivion. Classic advice says ‘kill someone’. A dead body injects life. I’ve killed a few characters. Then found a reason why. Who is the ‘real killer’? Can’t have a fake killer, can we? Red herrings abound. Threads weave another layer to the plot.
Or it is a murder the death of the story?
At one RWA conference an editor stated she hated to find a dead body at midpoint in a comedy. I rewrote that one and found the story went no-where. Its still waiting under my bed for inspiration to strike.
An extra dead body is a clue that your story isn’t alive. Every action must have a cause. Tossing a corpse off the roof might not do anything but make the editor toss your book.
Back to my middle. I’m a by-the-seat-of-my-pants writer. I learn my characters as I go. I plot day by day. I’m constantly surprise by what happens. A murder? Sometimes an earthquake, a riot, a hurricane or a love scene fits better.
Be creative. It’s your job.

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Diagrams, outlines, graphs and time-wasters

At a recent chapter meeting another speaker advised using an outline. Yuck. I actually hate outlining. So many authors have these cute little charts and graphs to get their story together. I do envy their organizational skill. I have tried. Honest. I tried Deb Dixon’s outline for goal, conflict, and resolution. Remember the Wizard of Oz example? Boy, I grabbed that like a lifeline to a drowning sailor. Too bad the graph defeated me. Did this fact go here? Or here?
I’ve used the character question forms. His name, her name, mother’s name, listed like a genealogy. Who gives a rat’s butt what the hero’s mother’s maiden name was?
After years of searching for what works for me, I’m finally doing my own thing.
I have a book bible for each manuscript.
In it is a timeline- day, night, moon phase, whatever is relevant to when.
When I add a character, I copy the description, adding details as they appear.
This is part of my first draft process. I do a simple edit on the previous day’s work, put items in the bible and start the flow for today’s pages. Works for me.

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